Copyright © Phil Frankland 2015. All rights reserved

List, 2018, oil paint, oil stick, plextol, pigment, paper, glue, foil, digital print, air-dry clay, 210 x 165 cm

Feather, 2018, oil paint, aluminium foil, silicon, raw pigment, pins, 45 x 115 cm

Seated with R, 2018, plextol, pigment, paper, Styrofoam, glue, aluminium foil and pins on PVC, with aluminium support frame, 120 x 170 cm

The day, 2017, digital print, pins, knife mark in wall, 180 x 160 cm

J, 2017, acrylic mastic, PVC, oil paint, foil, 100 x 80 cm

Untitled, 2017, oil paint, pencil, glue and air-dry clay on aluminium panel with aluminium support frame, 150 x 110 cm

Paris, 2017, oil paint, oil stick, glue and aluminium on aluminium panel with aluminium support frame, 180 x 150 cm

Left: Stolish, 2017, oil paint, oil stick, aluminium and glue on aluminium panel with aluminium support frame, 210 x 150 cm

Right: Toodaloo, 2017, oil paint, oil stick, air-dry clay, glue and varnished digital print on aluminium panel with aluminium support frame, 230 x 150 cm

Quite Strong Shamanism, 2017, varnished digital print, glue, string, air-dry clay, oil paint, pins, 90 x 48 cm

I Wish I Was A Tourist, 2017, digital print, acrylic mastic, sawdust, pins, 195 x 135 cm

Foot Bathers, 2017, oil paint, oil stick, gloss paint, acrylic mastic, silicon, Styrofoam, air-dry clay and glue on aluminium panels with aluminium support frame, 220 x 300 cm

London Zoo, 2017, oil paint, oil stick, gloss, styrofoam, glue and digital print on aluminium panel with aluminium support frame, 210 x 150 cm

House Tying, 2018, oil paint, oil stick, air-dry clay, glue, pen, pins, 185 x 143 cm

Untitled (Arm) 2016, photocopy, air-dry clay, wire, glue, oil paint and pins, 190 x 65 cm

Little Twitch, 2016, oil, air-dry clay, gloss paint, glue on aluminium panel with aluminium support frame, 210 x 150 cm

Installation View from The Half of Halves Solo Exhibition, Zwarte Zaal, Gent, June 2017